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  • Home

    Where Are their Stories?

    Johnny Ray Huston
    Oct 17, 2011

    The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.

  • October 20, 2011

    Where Are their Stories?

    Johnny Ray Huston
    Oct 17, 2011

    The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.

  • Reviews

    Where Are their Stories?

    Johnny Ray Huston
    Oct 17, 2011

    The best is yet come for Mexican wunderkind Nicolás Pereda, whose elliptical narratives allow room meditation and imagination on the part of a viewer.

  • Home

    Hong Takes New Tack with 'Oki's Movie'

    Adam Hartzell
    Jun 24, 2011

    Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.

  • June 23 2011

    Hong Takes New Tack with 'Oki's Movie'

    Adam Hartzell
    Jun 24, 2011

    Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.

  • Reviews

    Hong Takes New Tack with 'Oki's Movie'

    Adam Hartzell
    Jun 24, 2011

    Hong Sang-soo's latest leaves us with an awkward ambivalence that resonates long after the film is finished.

  • Home

    A City’s Smutty History, Embraced

    Julia Barbosa
    Jun 21, 2011

    Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.

  • June 23 2011

    A City’s Smutty History, Embraced

    Julia Barbosa
    Jun 21, 2011

    Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.

  • June 23, 2011

    A City’s Smutty History, Embraced

    Julia Barbosa
    Jun 21, 2011

    Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.

  • Q & A

    A City’s Smutty History, Embraced

    Julia Barbosa
    Jun 21, 2011

    Stabile film at Frameline, Tribeca and, soon, YBCA, looks at San Francisco’s sex-film history.

  • Home

    YBCA Revisits Vintage Erotica

    Dennis Harvey
    May 19, 2011

    YBCA uncorks another era's eros.

  • May 19, 2011

    YBCA Revisits Vintage Erotica

    Dennis Harvey
    May 19, 2011

    YBCA uncorks another era's eros.

  • Reviews

    YBCA Revisits Vintage Erotica

    Dennis Harvey
    May 19, 2011

    YBCA uncorks another era's eros.

  • Home

    YBCA Revisits Vintage Erotica

    Dennis Harvey
    May 19, 2011

    YBCA uncorks another era's eros.

  • May 19, 2011

    YBCA Revisits Vintage Erotica

    Dennis Harvey
    May 19, 2011

    YBCA uncorks another era's eros.

  • Reviews

    YBCA Revisits Vintage Erotica

    Dennis Harvey
    May 19, 2011

    YBCA uncorks another era's eros.

  • April 5, 2011

    Fearless: Independent Chinese Documentaries

    Apr 7, 2011

    Yerba Buena Center for the Arts hosts and dGenerate Films and Fandor present ‘Fearless: Independent Chinese Documentaries,’ which features six independent Chinese political docs; continuing this week with 'Tape' (April 7), 'Ghost Town' (April 10) and '1428' (pictured, April 14). More at ybca.org.

  • Home

    Kiarostami’s Enigmatic ‘Copy’ Fascinates

    Dennis Harvey
    Mar 18, 2011

    Kiarostami’s ‘Certified Copy’ is a puzzling provocation that gets better with multiple viewings.

  • March 24, 2011

    Kiarostami’s Enigmatic ‘Copy’ Fascinates

    Dennis Harvey
    Mar 18, 2011

    Kiarostami’s ‘Certified Copy’ is a puzzling provocation that gets better with multiple viewings.

  • Reviews

    Kiarostami’s Enigmatic ‘Copy’ Fascinates

    Dennis Harvey
    Mar 18, 2011

    Kiarostami’s ‘Certified Copy’ is a puzzling provocation that gets better with multiple viewings.

  • Home

    Costa's 'Ne change rien' Captures Singer's Dreaminess, Rigor

    Sara Dosa
    Jan 20, 2011

    A Portuguese filmmaker builds a rich visual landscape from French singer Jeanne Balibar's vocal practice.

  • January 20, 2011

    Costa's 'Ne change rien' Captures Singer's Dreaminess, Rigor

    Sara Dosa
    Jan 20, 2011

    A Portuguese filmmaker builds a rich visual landscape from French singer Jeanne Balibar's vocal practice.

  • Reviews

    Costa's 'Ne change rien' Captures Singer's Dreaminess, Rigor

    Sara Dosa
    Jan 20, 2011

    A Portuguese filmmaker builds a rich visual landscape from French singer Jeanne Balibar's vocal practice.

  • January 18, 2011

    'Ne change rien'

    Jan 20, 2011

    Yerba Buena Center for the Arts offers the latest by Pedro Costa, what they call a "ravishing, entrancing study of light, shadow and voice" from the Portuguese filmmaker. More at ybca.org.

  • september 29, 2010

    'Sesame Street at 40: Milestones on the Street'

    Oct 1, 2010

    YBCA shows its programming breadth, moving from Charles Ludlam and Robert Gardner to this celebration of the iconic children's show as part of a series highlighting the legendary Jim Henson.

  • Home

    Gardner's Global Views Unnerve at YBCA

    Sara Dosa
    Sep 26, 2010

    Three decades of Robert Gardner films scrutinize the human condition.

  • Reviews

    Gardner's Global Views Unnerve at YBCA

    Sara Dosa
    Sep 26, 2010

    Three decades of Robert Gardner films scrutinize the human condition.

  • September 30, 2010

    Gardner's Global Views Unnerve at YBCA

    Sara Dosa
    Sep 26, 2010

    Three decades of Robert Gardner films scrutinize the human condition.

  • Home

    Gardner's Global Views Unnerve at YBCA

    Sara Dosa
    Sep 26, 2010

    Three decades of Robert Gardner films scrutinize the human condition.

  • Reviews

    Gardner's Global Views Unnerve at YBCA

    Sara Dosa
    Sep 26, 2010

    Three decades of Robert Gardner films scrutinize the human condition.

  • September 30, 2010

    Gardner's Global Views Unnerve at YBCA

    Sara Dosa
    Sep 26, 2010

    Three decades of Robert Gardner films scrutinize the human condition.

  • September 21, 2010

    The Lost Films of Charles Ludlam

    Sep 24, 2010

    After seeing one of Charles Ludlam's early plays, theater critic Brendan Gill famously remarked, "This isn't farce. This isn't absurd. This is absolutely ridiculous!" Yerba Buena Center for the Arts presents two of Ludlam's rarely seen films: a digitally remastered version of 'The Sorrows of Dolores' (September 24–25) and 'The Impostors' (September 26), where Ludlam stars as a gay magician.

  • September 14, 2010

    'A Brighter Summer Day'

    Sep 16, 2010

    Edward Yang died too soon, but his work remains: An uncut and newly restored version of Yang's intense and epic portrait of life in '60s Taiwan plays at the Yerba Buena Center for the Arts.

  • August 31, 2010

    'Handmade Nation' at YBCA

    Sep 5, 2010

    The Yerba Buena Center for the Arts' design and architecture series, Something From Nothing, draws to a close with Faythe Levine's 'Handmade Nation,' a documentary about the politics, aesthetics, and ethos of D.I.Y craft in North America that played SF360 Film+Club this past year.

  • August 24, 2010

    Rare Summer Vampires

    Aug 26, 2010

    Rare vampire films, including Kathryn Bigelow's Near Dark and Carl Dreyer's unsettling Vampyr, come out of the dark for a weekend at the Yerba Buena Center for the Arts.

  • August 26 ,2010

    A Vampire Weekend at YBCA

    Max Goldberg
    Aug 26, 2010

    Three vampire films capture more than the imagination. That the vogue for vampire melodramas may have run its course is clear enough from the appearance of Vampires Suck (in theaters as of this writing, though not likely much past it) and the news that the American redo of the 2008 Swedish indie hit, Let the Right One In, will be titled "Let Me In." Just like that, a lovely slice of pop-baroque gets reprocessed as a pathetic whine. No matter: as long there is cinema, the vampire will reemerge. Ever since the twin pinnacles of Nosferatu (1922) and Vampyr (1932), in which two of early cinema’s. . .

  • Home

    A Vampire Weekend at YBCA

    Max Goldberg
    Aug 26, 2010

    Three vampire films capture more than the imagination. That the vogue for vampire melodramas may have run its course is clear enough from the appearance of Vampires Suck (in theaters as of this writing, though not likely much past it) and the news that the American redo of the 2008 Swedish indie hit, Let the Right One In, will be titled "Let Me In." Just like that, a lovely slice of pop-baroque gets reprocessed as a pathetic whine. No matter: as long there is cinema, the vampire will reemerge. Ever since the twin pinnacles of Nosferatu (1922) and Vampyr (1932), in which two of early cinema’s. . .

  • Reviews

    Stevenson's Oddball Scandinavian Cinema

    Dennis Harvey
    May 21, 2010

    Former San Franciscan Jack Stevenson returns from Denmark to promote the U.S. publication of Scandinavian Blue: The Erotic Cinema of Sweden and Denmark in the 1960s and 1970s.

  • Reviews

    'Typeface' Makes Art of a Lost Craft

    Adam Hartzell
    May 14, 2010

    Gary Hustwit s Helvetica turned a font into a fascination, and Justine Nagan's Typeface takes the topic of type one step further by moving into the past.

  • Reviews

    'Typeface' Makes Art of a Lost Craft

    Adam Hartzell
    May 14, 2010

    Gary Hustwit s Helvetica turned a font into a fascination, and Justine Nagan's Typeface takes the topic of type one step further by moving into the past.

  • Reviews

    Unresolved Conflict in 'American Radical,' 'Promised Lands'

    Dennis Harvey
    Mar 25, 2010

    YBCA s month-long, six-part Human Rights and Film series closes with two documentaries on the Arab-Israeli conflict made 35 years apart.

  • Reviews

    Freak Flag Flying at YBCA

    Dennis Harvey
    Feb 17, 2010

    YBCA has sustained a major place in S.F.'s cultural landscape without receiving the due it would have had its mission been narrower and more easily defined.

  • Reviews

    Freak Flag Flying at YBCA

    Dennis Harvey
    Feb 17, 2010

    YBCA has sustained a major place in S.F.'s cultural landscape without receiving the due it would have had its mission been narrower and more easily defined.

  • Reviews

    San Francisco Cinematheque's Spring Action

    Max Goldberg
    Feb 10, 2010

    The spring edition of the Cinematheque calendar is making the rounds, and my copy is dog-eared with wishful thinking. Grab your datebook for a rundown.

  • Q & A

    Michael House's Translation of Tati at YBCA

    Michael Guillen
    Jan 17, 2010

    Riding the crest of the Tati tsunami hitting our shores is The Magnificent Tati by Michael House, who lived in S.F. for 12 years before moving to Paris.

  • Reviews

    It's 'Playtime' with Jacques Tati in New Series

    Dennis Harvey
    Jan 13, 2010

    You could make a case for Tati as the last great silent comedian even if he didn't begin making features until two decades into the sound era.

  • Reviews

    Remembering Chick Strand

    Max Goldberg
    Oct 23, 2009

    Chick Strand, a crucial pioneer of West Coast experimental cinema, died July 11 at 78.

  • Reviews

    The Turn-off Sex Cinema of Koji Wakamatsu

    Dennis Harvey
    Oct 16, 2009

    Probably no one pushed the artistic carte blanche of "pink" films further—at least into the realm of serious political engagement—than the Japanese auteur.

  • Q & A

    Lucrecia Martel and "The Headless Woman"

    Gail Spilsbury
    Sep 18, 2009

    To viewers of Lucrecia Martel's earlier work, The Headless Woman is the crowning achievement; the filmmaker speaks about her vision of the world.

  • Reviews

    Lucrecia Martel and a Case for Decadence

    Sean Uyehara
    Jul 17, 2009

    Lucrecia Martel's films, including La Ciénaga and The Headless Woman feature what have come to be known as her primary concerns: classism, decay and femininity.

  • Reviews

    Marco Ferreri's Anarchic Filmmaking

    Dennis Harvey
    Jun 12, 2009

    Wild man of Italian cinema, Marco Ferreri left many films in need of rediscovery (or simply discovery) since his death in 1997.

  • Reviews

    Box set "Treasures" unearths buried avant-garde

    Michael Fox
    Apr 2, 2009

    National Film Preservation Foundation, Treasures IV: American Avant-Garde Film, 1947-1986, is a splendid package of 26 films, drawn from New York and San Francisco.

  • Reviews

    Strand Releasing Turns 20

    Dennis Harvey
    Feb 26, 2009

    Twenty years after its founding, Strand Releasing remains an active, irreplaceable and distinctive presence on the U.S. distribution scene.

  • Reviews

    Strand Releasing Turns 20

    Dennis Harvey
    Feb 26, 2009

    Twenty years after its founding, Strand Releasing remains an active, irreplaceable and distinctive presence on the U.S. distribution scene.

  • Reviews

    Soviet-Critical 'Cargo 200' at YBCA

    Matt Sussman
    Nov 11, 2008

    The controversial Cargo 200, a take-down of the Soviet era, makes its U.S. theatrical debut at Yerba Buena Center for the Arts.

  • Reviews

    Soviet-Critical 'Cargo 200' at YBCA

    Matt Sussman
    Nov 11, 2008

    The controversial Cargo 200, a take-down of the Soviet era, makes its U.S. theatrical debut at Yerba Buena Center for the Arts.

  • Q & A

    Jack Stevenson on 'The Superstars Next Door'

    Matt Sussman
    Oct 6, 2008

    Freelance curator and film fanatic Jack Stevenson brings grainy reels documenting live, nude girls to the Yerba Buena Center for the Arts.

  • Q & A

    Jack Stevenson on 'The Superstars Next Door'

    Matt Sussman
    Oct 6, 2008

    Freelance curator and film fanatic Jack Stevenson brings grainy reels documenting live, nude girls to the Yerba Buena Center for the Arts.

  • Reviews

    Curators at Bay Area Now 5

    Sean Uyehara
    Sep 11, 2008

    YBCA's triennial exhibition has developed a deserved reputation for presenting an energetic survey of current Bay Area artistic practice.

  • Reviews

    Curators at Bay Area Now 5

    Sean Uyehara
    Sep 11, 2008

    YBCA's triennial exhibition has developed a deserved reputation for presenting an energetic survey of current Bay Area artistic practice.

  • Reviews

    Nik Sheenan's 'FliCKer'

    Matt Sussman
    Aug 5, 2008

    A documentary looks into a machine designed to harness the hallucinatory potential of flickering light, and sketches a portrait of its troubled creator.

  • Reviews

    The Mystical and Everyday in 'A Listener's Tale'

    Max Goldberg
    Jul 15, 2008

    A Listener's Tale is a lovely if unclassifiable mixture of ethnography and poetic reverie which screened at last winter's Rotterdam Film Festival.

  • Reviews

    Phil Chambliss, Arkansas Auteur

    Dennis Harvey
    Nov 15, 2007

    Meet Phil Chambliss, a 54-year-old, recently retired gravel pit nightwatchman who makes what might be termed cinematic folk art.

  • Festivals

    Five from Madcat

    Susan Gerhard
    Sep 14, 2007

    Here are a few quick takes on programs that look particularly worthwhile at Madcat.

  • Reviews

    SOFA, so good? "Straight outta Film Arts" (SOFA) shines a light on youth filmmaking

    Matt Sussman
    Sep 6, 2007

    Matt Sussman looks at the final products of the talented young directors in TILT's Summer Film Camp showcase (screening as part of of Straight Outta Film Arts program at YBCA).

  • Reviews

    "Lover Other"

    Matt Sussman
    Jun 26, 2007

    Review: startling portraits Claude Cahun, her half-sister and lover Marcel Moore took of themselves and each other dressed in a variety of personas, costumes and genders in Lover Other.

  • Reviews

    "Lover Other"

    Matt Sussman
    Jun 26, 2007

    Review: startling portraits Claude Cahun, her half-sister and lover Marcel Moore took of themselves and each other dressed in a variety of personas, costumes and genders in Lover Other.

  • Reviews

    The art of Muppetry

    Claire Faggioli
    Jun 21, 2007

    Muppets, Music, and Magic, a Jim Henson career retrospective pleases not only Muppet-lovers but also people whose tastes stretch beyond.

  • Reviews

    The art of Muppetry

    Claire Faggioli
    Jun 21, 2007

    Muppets, Music, and Magic, a Jim Henson career retrospective pleases not only Muppet-lovers but also people whose tastes stretch beyond.

  • Reviews

    "Zidane: A 21st-Century Portrait"

    Susan Gerhard
    May 17, 2007

    Not even widely released yet in the States, Philippe Parreno and Douglas Gordon's "ZidaneÉ" has already been considered a portrait of the century.

  • Festivals

    SFIFF50, Diving In

    Johnny Ray Huston
    May 8, 2007

    The 50th annual SF International Film Festival is as good a time to put forth an argument. Here’s one: The most compelling movie stars of the current era are athletes, and the most dynamic 21st-century cinema is sports cinema.

  • Q & A

    Weerasethakul Talks Hospitals, Aerobics, and a Boy From Mars

    Johnny Ray Huston
    Apr 9, 2007

    One of Apichatpong Weerasethakul Ôs goals as a filmmaker is to simply show what he likes, and what he likes to see.

  • Q & A

    Weerasethakul Talks Hospitals, Aerobics, and a Boy From Mars

    Johnny Ray Huston
    Apr 9, 2007

    One of Apichatpong Weerasethakul Ôs goals as a filmmaker is to simply show what he likes, and what he likes to see.

  • Reviews

    Nathaniel Dorsky's Secret World

    Michael Fox
    Dec 5, 2006

    Song and Solitude, is a twilight sojourn to a secret world much like our own, rendered with profound patience and a hint of wistfulness.

  • Reviews

    Music Videos At the Museum

    Max Goldberg
    Nov 29, 2006

    MTV's boat has long since sailed, but music videos are as ubiquitous on YouTube and Myspace as YBCA brings music videos to its downstairs gallery.

  • Reviews

    City Poet Bruce Baillie Returns

    Johnny Ray Huston
    Oct 10, 2006

    When onlookers or bystanders disparagingly refer to experimental film as torturous or a bore, it’s a safe bet that they’ve never seen anything by Bruce Baillie.

  • Reviews

    Peter Whitehead's '60s

    Max Goldberg
    Sep 14, 2006

    The provocative documentary filmmaker is recalled with a retrospective at Yerba Buena Center For the Arts.

  • Reviews

    "Kees Kino: The Film Work of Weldon Kees"

    Jenni Olson
    Jun 7, 2006

    San Francisco Cinematheque guest curator Jenni Olson reflects on her show, Kees Kino: The Film Work of Weldon Kees.

  • Reviews

    "Kees Kino: The Film Work of Weldon Kees"

    Jenni Olson
    Jun 7, 2006

    San Francisco Cinematheque guest curator Jenni Olson reflects on her show, Kees Kino: The Film Work of Weldon Kees.

  • Reviews

    Kidlat Tahimik's "Perfumed Nightmare" Remains an Unlikely Masterpiece

    Max Goldberg
    May 18, 2006

    Perfumed Nightmare, a Filipino art film in which process is ultimately indivisible from form, is largely forgotten today but created a minor sensation upon its release.

  • Reviews

    Kidlat Tahimik's "Perfumed Nightmare" Remains an Unlikely Masterpiece

    Max Goldberg
    May 18, 2006

    Perfumed Nightmare, a Filipino art film in which process is ultimately indivisible from form, is largely forgotten today but created a minor sensation upon its release.

  • Q & A

    Filmmaker William Farley's Peripheral Vision

    Robert Avila
    May 16, 2006

    After 35 years of underground success, veteran indie filmmaker William Farley still hovers just off the shore of mainstream respectability.


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